On belonging

they gather

in waiting rooms and on train platforms

like migratory birds in autumn

loudly gesticulating

as

the great journey were about to begin
they embrace

when the long distance express

leaves the station without them

and weep their way

back

into cold reality

Homesickness by Ingo Cesaro, Poetry Ireland Review, Poetry and Survival, Winter 1996, p. 40

Svetlana Boym defines nostalgia as a “sentiment of loss and displacement”, the nostalgia that Irish people in diaspora feel for Ireland is very much a sense of loss and longing for the homeland.

Thus, the emigrant feels the need to “preserve the cultural and moral norms of the homeland” (Poetry Ireland Review, Poetry and Survival, Winter 1996, p. 43).

Is belonging in diaspora needed? Is the fact that you “long” for the homeland mean you “belong” in a diaspora group? What is belonging? Citizenship? Comradeship?

This longing for something outside of the immediate vicinity of the immigrant in diaspora can sometimes cause life-threatening illnesses “by the tug-of-war of cultural loyalties and linguistic identities” (Poetry Ireland Review, Poetry and Survival, Winter 1996, p. 45). This manifests itself in sickness, a physical manifestation of psychological trauma.

The Irish diaspora in England have historically been very mentally unwell group. Some researchers, such as Oonagh Walsh, cite this as stemming from the famine of 1845-47. This traumatic event is definitely ingrained in the contemporary Irish consciousness, from “famine jokes” to the comment made by then-President Mary Robinson that Irish people had a ‘will to survive’ and a ‘sense of human vulnerability’. In the case of the immigrant, this ingrained trauma manifests itself in mental health issues, with Irish men and women much more likely to be admitted to hospital for mental health issues in England than any other group.

Unless You Will issue 24

Unless You Will issue 24

Blogging about this today, it’s an Australian online photo magazine. This issue is concerned with landscape photography and how artists connect to the land and photograph it.

The issue features 10 photographer’s practices on landscape photography and a really nice quote from Seneca in “Letters From A Stoic” –

“Are you telling me

not to investigate

the natural world?

Are you trying to bar
me from the whole
of it and restrict me
to a part of it?
Am I not to inquire
into the identity of
the artist who created
that universe?
Or the process by
which the huge mass
became subject to
law and order?
Or the nature of the
one who collected
the things that were
scattered apart, sorted
apart the things that
were commingled,
and when all things
lay in formless chaos
allotted them their
individual shapes?
Or the source of the
light (is it fire or is it
something brighter?)
Am I supposed not
to inquire into this
sort of thing?”

Geraldine Lamanna – Powder Dance (Photoshoots I’ve loved #19)

I’ve been so behind on my blogging schedule at the moment, I’ve been so busy. *Regularly scheduled posting will resume shortly* (haha). Anyway, apologies and bad jokes aside, this week I’m going to talk about “Powder Dance” by Geraldine Lamanna. This series of photographs is amazing. She photographed dancers and used powder to accentuate the power and movement of the dance itself. Lamanna coated a dance instructor and her students with powder and let them show their moves to the camera. The resulting photographs are supposed to show “echoes” of movement. Compositionally, these photographs are perfect, the composition draws you in to the middle of the frame, to the dancer’s face. The lighting is great, spotlights illuminate the dancers and the powder separately so the viewer can see both equally well.ImageImageImageImageImage

What do you think of these?

All images from Peta Pixel, click on the image to go to the webpage.

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Photoshoots I’ve loved #15

This week on the fifteenth post in my series on “photo-shoots I’ve loved”, its David Jordan’s long exposure, out of focus images of fireworks. I’m always fascinated by long-exposure photographs so I think these are amazing, they look like abstract paintings. (They wouldn’t look out-of-place on a gallery wall either – it’s the wannabe curator in me coming out!). The composition is perfect, the viewer is immediately drawn towards the middle of the photograph, to the centre of the firework.

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What do you think of them? Do you think they are too “arty”?

All images from Laughing Squid, click on the image to go to the webpage

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Tuesday post series #8: videos I’ve loved (Baldwin S/S13 Lookbook)

 

http://vimeo.com/46405883#

Not much to say about this really. It’s everything a fashion film / look-book film should be: edgy, focused on the models and clothes and color graded to perfection. Watch and be amazed

 

Monday post series #8: photoshoots I’ve loved

 

Apologies for not posting on Friday. I was mega busy filming and I didn’t have a chance to sit down and write a post. Anyway, without further ado, here’s the eighth post in the “Photo shoots I’ve loved” series (can’t believe I’ve done this for two months already…). This week it’s “Calla Lily” by JP Terlizzi. This is a fine art photography series on a lily (obviously ;)) and it’s amazing. The photographs are lit by a single flash unit and are in black and white. They depict one single lily in a new, fresh, unfamiliar way.

All images from Trend Hunter, click on the image to go to the webpage

Do you like this series?

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Wednesday post series #7: what inspires me at the moment

 

This week it’s Magnus Osterhult’s photographs of model Besa Sand. I came across these months ago on the Trend Hunter blog and I just kind of filed them away in my blogging notes and forgot about them. These are amazing. I’m of the school of thought that the more exposed a photograph is (within reason), the better it is so these photos are right up my alley! These are inspirational because I have a photo-shoot on Monday that I’m going to try a few new things out at, so these are exactly how I want these photos to look.
The photographs themselves are perfectly composed, the model is bathed in light and complemented by the dominant white colour of it. There are also light leaks and lens flare in some photos, which, usually people would say are a defect but in these photographs, they add to the capture and overall composition of the photograph.

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All images from Trend Hunter, click on the image to go to the webpage

What do you think of these photos? Are they smutty or tasteful?

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Tuesday post series #7: HTC One advertisement

https://www.youtube.com/watch?v=akh6JxDlnhE&list=PLFFCFDC7B282FCA1D

This week I want to talk about something different from the usual “arty” videos; an advertisement. I’ve been meaning to write about this for a while but I keep forgetting. This is incredible, I absolutely love it. It’s an advertisement for the HTC One phone. The ad depicts a fashion shoot, conducted while falling from a plane. The shoot is done by a photography student, on the phone. The ad itself is shot very creatively, with other people (apart from the photographer, model and cameraman) free-falling with smoke canisters on their backs to emit plumes of smoke as they fall. This adds to the overall drama of the piece. The camera moves with the model, as she moves through the plane and jumps out and then seamlessly cuts to a wide shot of the photographer photographing and directing her. This ad would make me want to buy the phone, I suppose that’s the sign of a good advertisement, for maybe I was just hooked as soon as I heard “photography” (tell me what you think in the comments! :P).

What do you think of this ad? Does it make you want to buy the phone?

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Monday post series #7: photoshoots I’ve loved (Factory Fashion chanls Andy Warhol)

This week its Factory Fashion’s tribute to Andy Warhol. This is amazing. The models are carbon copies of the iconic star. The colourful backgrounds and key lighting emphasise the white wigs that all the models are wearing.

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All images from Trend Hunter, click on the image to go to the website

What do you think of these androgynous looks? Did they go “too far”?

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