Crafty Christmas at Hotel Elephant

The Hotel Elephant Crafty Christmas Market is happening this December from the 1st to the 3rd at Spare Street.

Thirteen artists will be a wide selection of original artworks, artist prints, illustrations, ceramics, jewellery, and photography.

I am selling prints from my work in progress series, This Is Not Just Here, This Is Everywhere as 6×4 inch mounted prints at £2 each.

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Hotel Elephant
1-5 Spare Street, SE17 3EP
Friday 1st – Sunday 3rd of December 2017
Market Open: Friday: 6pm – 9:30pm
Market Open: Saturday & Sunday 11am – 6pm

RSVP via Eventbrite here: https://www.eventbrite.co.uk/e/xmas-market-on-spare-street-tickets-39040495172

Updates

Well, long time no speak!

A lot of updates to go though in this post – not least that I’ve just moved back to London after being home in Dublin for six months.

July 2016: we got through the Wimbledon College of Arts degree show (big ups!)

September 2016: moved back to Dublin and tried in vain to get a job in London and in Dublin

March 2017: moved back to London, much to my delight

Also in March: put a deposit down on a studio space at Hotel Elephant in Elephant and Castle (more on that in a later post)

April 2017: turned 26 (boo!)

Also in April: invested in a studio light setup (finally!) – check my Instagram profile

Other things: photo-book dummy. Accidental Journeys is going to be an actual physical BOOK. Thanks to William and Dirty Illness. More on that – process images, sketchbook photographs, design iteration images, and printing – to come in later posts!

Project planning: I shot another roll of HP5 a couple of weeks ago and finally got it processed and printed. I’m so happy with how the images turned out. Check back soon to see it on the website. I’m also planning to have done four projects by the end of 2017, updates on these on the blog as they happen – research, process and final images.

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Process #2

My degree project was a book documenting the Irish Diaspora’s journeys from Ireland to England. I photographed and interviewed people in the various Irish centers around London: the London Irish Center, the Luton Irish Forum and the South London Irish Association. The book itself was hand-printed and bound but my bookmaking skills are very lacking! As such, I enlisted the help of my friend Chloe (a 2015 UAL Wimbledon graduate in Print and Time-based Media) to help me fix the binding and structure of the book itself.

Chloe won the Wandle Studio Prize for 2015/16 so she has use of a studio space at Merton Abbey Mills where she runs an “alternative book-makery” called Object Book.

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Original book
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How it stood
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Lying flat

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Attempt at attching the covers

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I attempted to attach the covers and put too much glue on the front
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The binding was too loose so pages would move
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Cutting the binding off each folio
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Placing the first cover
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Sewing the first section
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Tying a kettle stitch at the end
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Sewing the fourth folio to the third with a kettle stitch
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The cross stitch was made by putting the thread through two layers of thread on the folios and making a X shape and tying a kettle stitich
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Exposed biding
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Kettle stitches at the end of each folio

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Flattening in the nipping press

PS: I’m doing photo-book narrative workshops at Object Book on the 6th of August. More details to follow.

Process #1

My absence on the blog lately can be explained by attempting to pass my degree (haven’t yet, so posting might still be a bit sporadic). I’m starting a new series, looking at what I’m reading at the moment, which also ties into my current research interests and writing so I suppose I’ll just combine all that into one series – reading, researching and writing in one!

I’ve been researching and working on my graduate project which is titled “Is e Eire mo Bhaile”, which means “Ireland is my home”, in Irish. To that end, this post is about what I’m doing to research this project.

Books:

Rodinsky’s Room – Rachel Lichtenstein & Iain Sinclair

Lichtenstien and Sinclair take a very upbeat stance on the disappearance of David Rodinsky and trace this through the archive of ephemera left behind in his room in Whitechapel. The book traces Lichtenstien’s research of Rodinksy through writing and photography and gives a good example of a book using both photography and writing to illustrate.

The Photograph – Graham Clarke

Spectral Evidence: The Photography of Trauma – Ulrich Baer

The Texture of Memory: Holocaust Memorials and Meaning – James Young

The Painter of Modern Life – Charles Baudelaire

On the Natural History of Destruction – WG Sebald

The Pivot of the World: Photography and it’s Nation – Blake Stimson

The Burden of Representation: Essays on Photographies and Histories – John Tagg

Photography Degree Zero: Reflections on Roland Barthes Camera Lucida – Geoffery Bachen

These books deal with the photographic image as carrier of memory, the memorialisation of the journey, the journey itself, the ontology of the image and photographic archives.

Images of the final book and project itself to follow.

 

 

 

 

 

 

 

 

CUE at ArtsLav

On Friday last I had the privilege of attending and photographing an exhibition organised and curated by fellow students from Wimbledon College of Art, Katarina Rankovic and Tahmina Ahkmedov, co-curated by Kosha Hussain. CUE, held at ArtsLav in Kennington, south London, is an exhibition of painting, installation, video and mixed media work. Housed in a Victorian ex-lavatory, ArtsLav was an unusual choice of venue but worked amazingly well; with work hanging off toilet cubical doors and behind cubical doors and on the walls. The atmosphere was decidedly 1920s with Reinhardt jazz music and candles dotting the narrow rectangular space.

The rest of my photographs from the private view can be found by clicking on the photograph.

The work is on show now until the 6th of June at ArtsLav, 180 Kennington Lane, London, SE11 4UZ.