Photographic artist / cultural researcher
Considering I’m a photographer, I’ll let these images speak for themselves. They’re from a campaign by Delaosita for their F/W’12 collection.
All images from Trend Hunter, click on the image to go to the webpage
What do you think of these images? Should they have both black and white and colour images in the series?
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Hello again, I’m back to continue my series on inspiring and incredible images. This one is “Beauty School Drop-out” by Michael David Adams. The images are gaudy, with candy-couloured hair and strong makeup. This is reminiscent of Charlotte Free or even Helena Bonham-Carter in some images. The tight crop of most of the images adds to the overall composition, making you really look at the model’s hair and makeup.
Also…
Watch this space, I might have an extra something-something for you during the week (or even later tonight;)).
All images from Trend Hunter, click the image to go to the webpage
What do you think? Is the makeup with the hair too much?
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Apologies for not posting on Friday. I was mega busy filming and I didn’t have a chance to sit down and write a post. Anyway, without further ado, here’s the eighth post in the “Photo shoots I’ve loved” series (can’t believe I’ve done this for two months already…). This week it’s “Calla Lily” by JP Terlizzi. This is a fine art photography series on a lily (obviously ;)) and it’s amazing. The photographs are lit by a single flash unit and are in black and white. They depict one single lily in a new, fresh, unfamiliar way.
All images from Trend Hunter, click on the image to go to the webpage
Do you like this series?
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This week it’s Michael Ostermann’s fashion illustrations. These are amazing, they are both disturbing (some models have their mouths sewn shut) and beautiful at the same time. The digital effects Ostermann used contrast with the model and give a surreal look to the photos. A crown of thrones in some photos point to a Christian theme.
All images from Trend Hunter, click the image to go to the webpage
What do you think of these? Did Ostermann go “too far” when manipulating these?
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